ABOUT
I keep the lines that survive a few days.
I write a line down and leave it alone. A few days later, I read it again. If it still holds, I look for its rhythm and voice. I discard most drafts. I release the one I no longer have to explain to myself.
KeyronVibes is my music project.
Some things sound too blunt in ordinary conversation. In a song, I can say them without flattening them. I treat each release as a complete record; move one track and the next one can mean something different.
Karmin i Satyna is about the tension inside closeness. Z Popiołów looks at the days after a hard time, when ordinary life returns before you are ready.
Strings drive the rhythm.
In dance tracks, violin and cello parts work almost like percussion: short accents that answer the kick, clave, 808 or vocal line. In quieter songs, they carry the melody.
I keep the vocal close so the words do not disappear behind the arrangement. The genre may change. The way I treat the words stays the same.
Technology does not choose for me.
First come the lyrics. Then I look for their sound — tension, rhythm, harmony and colour. I use AI tools to explore different arrangements and interpretations.
I listen. I compare. I discard. What remains is the version that says exactly what it was meant to say. I do not sing on the current releases. They are not recordings of band sessions.